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1977

• elf variationen über das thema die post (adapted from poems by Reiner Kunze)
  for alto, speaker, harp, celesta, vibraphone and percussion
  

 

• Music in Four Movements for flute solo
  (published by Verlag Neue Musik Berlin)
  Premiere: January 1980, Berlin, flute: Ulrich Zeller
  broadcast by SFB Berlin
  CD: „Cry of Medusa“ kr 10053/ LC 02555
  (Example)

1978

• Music for four percussionists and piano
  Premiere: 2005, Berlin, Percussemble
  (Example)

 

• Bewegungen for 37 strings
  (Forum junger deutscher Komponisten für Orchestermusik)
  Premiere: 1985, Berlin, Berlin Philharmonic Orchestra, conductor: Reinhard Peters
  broadcast by WDR Cologne
  (Example)

1979

• Invitation for a cup of jasmine tea, one-minute-piece for soprano
  and piano
  Premiere: 1979, Soprano: Miharu Dietz

 

• Ballade for double-bass solo
  (International Gaudeamus Music Week 1980)
  Premiere: September 1980, Utrecht, double-bass: Fernando Grillo
  broadcast by Netherlands Radio
  (Example)

 

• Trio (...le fou) for oboe, alto-saxophone in E-flat and cello
  (Prix Marcel Josse 1979 of the „Association des saxophonistes français“)
  Premiere: May 1981, ob.: M. Barsch, sax.: D. Bensmann, cello: Manuel Fischer-Dieskau (Example)

1980/81

• Deutsches Kyrie und Credo for 4 trumpets, 4 trombones, mixed choir and strings

 

• Tropus ad Gloria for 2 trumpets, tenor solo, mens-choir, piano and double-bass
  (Example)

1981

• Fahrt, three songs adapted from poems by Sarah Kirsch
  for soprano, cello, harp and percussion
  (commissioned by „Studio Neue Musik Berlin“)
  Premiere: October 1983, Berlin, soprano: Regine Gebhard
  (Example)

1982

• String Quartet ‘adagio - allegro‘
  Premiere: February 1988, Berlin, Silesian String Quartet

1981/83

• Außenposten, (Outpost) for chamber orchestra
  Premiere: June 1984, Berlin, Brandenburgisches Kammerorchester

1983/85

• Galgenlieder adapted from Christian Morgenstern for soprano, alto-saxophone in E-flat (clarinet), bassoon (cello) and piano
  (commissioned by „Deutscher Apothekertag 1985“)
  Premiere: 1985, Berlin, soprano: Miharu Dietz
  broadcast by Netherlands Radio Hilversum

1984/86

• Aus der Fremde, cantata adapted from poems by Franz Werfel
  for 4 solo singers, unaccompanied mixed choir and boys choir (ad lib.)
  (winner of the 8th International Composers Competition “Carl-von Ossietzky-Preis” Oldenburg 2007)

1986

• relations for horn and percussion
  (commissioned by the „Deutsches Schlagzeugsymposion Nürnberg 1986“)
  Premiere: October 1986, Nürnberg, horn: Wilfried Krüger, percussion: Roland Schmidt
  broadcast by Bayerischer Rundfunk, Nürnberg
  (Example)

1987

• réciprocité for cello and double-bass
  Premiere: October 1987, Paris, Duo Tedesco
  broadcast by Bayerischer Rundfunk
  (Example)

 

• “...des lignes raides fuient dans la nuit“ for woodwind-quintet
  (2nd prize „Budapest International Composers Competition 1989“)
  (published by Editio Musica Budapest)
  Premiere: March 1989, Budapest, Academy-Quintet
  broadcast by Hungarian Radio Budapest
  (Example)

1987

• Idyllen for viola and cello
  (commissioned by „Gruppe Neue Musik Berlin“)
  Premiere: December 1987, Würzburg, viola: Claude Lelong, cello: Wolfgang Gröger
  (Example)

 

 

1988

• dialogue for cello solo
  Premiere: March 1988, Rio de Janeiro, cello: Peter Schuback
  (Example)

1989

• Concertino for alto-saxophone, piano, percussion and strings
  (International Rostrum of Composers, Paris, 1991)
  Premiere: October 1989, Berlin, saxophone: Ulrich Krieger, Universal-Ensemble
  recorded by RIAS Berlin and broadcast all over the world
  CD: Universal-Ensemble Largo 5116, LC 8934

1990

• Klavierquintett 1990 Premiere: May 1991, Berlin, piano: Sheila Vonk

 

• Kammerkonzert for saxophone-quartet, two string quartets, double-bass and piano
  (commissioned by Hebbel-Theater Berlin)
  Premiere: December 1990, Brussels, „Het Orkest“, conductor: Vincent d‘Hondt
  broadcast by Belgium Radio Brussels

1991

• Oktett 522 91 - 16.1 Premiere: February 1992, Salzburg, Scharoun-Ensemble
  broadcast by SFB Berlin

1992

• obstacle 1087 for violin, alto-saxophone, bass-clarinet and piano
  (commissioned by „Tage Neuer Kammermusik Braunschweig“)
  (published by Verlag Neue Musik Berlin)
  Premiere: November 1992, Brunswick, violin: Irene Wilhelmi
  CD: „UnitedBerlin“, Edel-Records, LC 01738
  (Example)

 

• vocalise für Sopran for soprano (alto-saxophone), flute, cello and piano
  (commissioned by „Berlin Improvising Composers‘ Ensemble“)
  Premiere: October 1992, Berlin, BICE
  (Example)

1993

• URBAN MUSIC for amplified saxophone-quartet
  (commissioned by Berliner Saxophon Quartett)
  Premiere: October 1993, Berlin, BSQ
  broadcast by SFB Berlin

 

• Vision (URBAN MUSIC II) for bass-saxophone solo
  (published by Verlag Neue Musik Berlin)
  Premiere: February 1994, Paris, saxophone: Johannes Ernst
  (Example)

1994

• URBAN MUSIC III for rock band
  (commissioned by Akademie der Künste)
  Premiere: April 1994, Berlin (X 94

1995

• Inside Distortion for inside-piano
  Premiere: June1996, Berlin, piano: Reinhold Friedl
  CD: Brigitte Metzenthin, LUK 1121
  (Example)

1995

• Magische Duette for two instruments/voices and obligatory inside-piano
  (Edition Nova Vita)
  Premiere: March 1995, Marseilles

 

• Ein ägyptisches Marienleben for soprano, alto, tenor, bass and harpsichord
  (commissioned by Podewil Berlin)
  Premiere: 2004, Berlin, Hanna Dora Sturludottir, Sabine Neumann,
  Eloi Prat I Morgades, Jens Bauditz, harps.: Martin Schneuing
  (Example)

 

• Bewegungen II for orchestra
  (commissioned by „Freies Kammerochester Berlin“)
  Premiere: November 1995, Berlin, Freies Kammerorchester Berlin, cond.: Christoph Hagel

1996

• Klavierstücke RWV 1087
  Premiere: October 1996, Berlin, piano: Elzbieta Sternlicht
• SUBURBAN CHANTS for flute, clarinet, violin, viola, cello ans piano
  (commissioned by „Modern Art Sextet“)
  Premiere: November 1996, Schreyahn, Modern Art Sextet

1997

• Philippe’s gone, duo for prepared guitar and violin
  Premiere: October 1997, Berlin, violin: Matthias Leupold, guitar: Il-Ryun Chung

1998

• Brecht-Reflexionen adapted from texts by Hanns Eisler, Edmund Stoiber, Arnold Schönberg and Hanne Hiob
  for soprano, tenor, speaker and ensemble
  Premiere: August 1998, Nürnberg, Ensemble Klangkonzepte

1999

• Ü = Ø for alto-flute, cor anglais and harp
  Premiere: June 1999, Berlin, Hanstedt-Trio
  (Example)

 

• Noces Danses for flute and piano
  Premiere: September 1999, Berlin, flute: Klaus Schöpp, piano: Yoriko Ikeya
  (Example)

 

• Sieben Gedichte von Renate Halbach für sich selbst begleitende Sängerin
  (for self-accompanying female singer)
  Premiere: April 2001, Berlin, soprano: Stephanie Haas
  (Example)

 

------------------>  

2000

• Gegenwelten for orchestra
  (commissioned by gVe Erlangen)
  Premiere: January 2001, Erlangen
  (Example)

 

• Paris is burning for tenor-saxophone and live-electronics
  Premiere: December 2001, Berlin, saxophone: Ulrich Krieger
  (Example)

2002

• ...perché solo in una notte fonda brillano le stelle Premiere: May 2004, Rome, harp: Katharina Hanstedt

 

• Legno - campane for marimba
  Premiere: December 2003, Kryptonale Berlin, Marimba: Claudia Sgarbi
  (Example)

 

• Contraerea celeste for 3 flutes
  Premiere: November 2003, Aachen, Trio Soli Sono
  (Example)

 

• Albicoccodrillofor 12 saxophones
  UA: April 2003, Berlin, Ensemble Sax12
  (Example)

2003

• Lange Kerls for chamber ensemble
  (commissioned by Akademie der Künste)
  Premiere: February 2003, Kammerakademie Potsdam
  (Example)

 

• Schlacht Rufe for female voice and live-erlectronics
  (commissioned by “Globus-Klänge”)
  Premiere: January 2004, Fußfall-Globus Frankfurt/Main, Claudia Herr
  (Example)

2004

• deadline für alto-saxophone and piano
  Premiere: 2005, saxophone: Frank Lunte, piano: Tatjana Blome
  CD: EDA 29
  (Example)

 

• Sisyphos for saxophone quartet and string quartet
  Premiere: October 2004, Pyramidale Berlin
  (Example)

2005

• Solo und Signal für Horn, Klavier und Schlagzeug
  UA: Juni 2005, Noam Yogev, Horn

 

• ...cette obscure clarté qui tombe des étoiles (RWV 1088) for piano
  Premiere: October 2005, piano: Elzbieta Sternlicht
  
• Wüste Fruchtbarkeit for cor anglais, horn, percussion, cello, double-bass and solo-violin
  (commissioned by “Klangwerkstatt”)
  Premiere: December 2005, Ensemble Junge Musik

 

• Cadenza – In Memoriam F.H. for violin solo
  (commissioned by GEDOK Berlin)
  Premiere: December 2005, Marianne Boettcher, violin

2006

• Heroische Bogenstriche for cello solo
  Premiere: Jan. 2007, Medellin (Kolumbien), Peter Schuback

2008

• Kleist
  opera in 4 pictures
  Libretto: Tanja Langer(commissioned by Brandenburger Theater)
  editor: Ries & Erler
  Premiere: March 2008 (stage direction: Bernd Mottl) Brandenburger Theater
  More
• Camille Claudel – Einst war ich schön
  (Text: Tanja Langer)
  Scene for mezzosoprano and piano
  editor: Ries & Erler
  Premiere: Nov. 2008, Berlin, mezzosoprano: Claudia Herr, piano: Martin Schneuing

 

• Extraits
  I. Capriccio for clarinet solo
  II. Elegie for french horn solo
  III. Toccata for bassoon solo
  Premiere: December 2008, Nürnberg, KlangKonzepteEnsemble

 

• relations (1986/2008) for Trombone and Percussion Premiere: March 2009, Berlin, Florian Juncker, Posaune

2008/09

• in progress:
  Musique pour décourager les rossignols for recorder-trio

2009

• La Prière sur l’Enfant mort (2009) for Violoncello and Stringquartett UA : June 2009, Streichensemble Antiope

 

• Niki de Saint Phalle – Fürchterlich ist die Braut am Abend
  (Text: Tanja Langer)
  for Mezzosopran and piano

 

• Frida Kahlo – Liebeslied an das Leben
  (Text: Tanja Langer)
  for Mezzosopran/Alt and piano

 

• ...perché solo in una notte fonda brillano le stelle (2002/2009)
  Version for harp and piano
  UA : Mai 2010, Brandenburg/Havel
  h arp : Katharina Hanstedt piano : Elzbieta Sternlicht
  

2010

 

• Trois Adieux
  for 2 pianos and 2 drummers
  UA : Mai 2010, Berlin, Ensemble BerlinPercussion