elf variationen über das thema die post (adapted
from poems by Reiner Kunze)
for alto, speaker, harp, celesta, vibraphone and percussion
Music in Four Movements for flute solo
(published by Verlag Neue Musik Berlin)
Premiere: January 1980, Berlin, flute: Ulrich Zeller
broadcast by SFB Berlin
CD: „Cry of Medusa“ kr 10053/ LC 02555 (Example)
1978
Music for four percussionists and piano
Premiere: 2005, Berlin, Percussemble (Example)
Bewegungen for 37 strings
(Forum junger deutscher Komponisten für Orchestermusik)
Premiere: 1985, Berlin, Berlin Philharmonic Orchestra, conductor: Reinhard
Peters
broadcast by WDR Cologne (Example)
1979
Invitation for a cup of jasmine tea, one-minute-piece
for soprano
and piano
Premiere: 1979, Soprano: Miharu Dietz
Ballade for double-bass solo
(International Gaudeamus Music Week 1980)
Premiere: September 1980, Utrecht, double-bass: Fernando Grillo
broadcast by Netherlands Radio (Example)
Trio (...le fou) for oboe, alto-saxophone in E-flat
and cello
(Prix Marcel Josse 1979 of the „Association des saxophonistes français“)
Premiere: May 1981, ob.: M. Barsch, sax.: D. Bensmann, cello: Manuel Fischer-Dieskau
(Example)
1980/81
Deutsches Kyrie und Credo for 4 trumpets, 4 trombones,
mixed choir and strings
Fahrt, three songs adapted from poems by Sarah Kirsch
for soprano, cello, harp and percussion
(commissioned by „Studio Neue Musik Berlin“)
Premiere: October 1983, Berlin, soprano: Regine Gebhard (Example)
Außenposten, (Outpost) for chamber
orchestra
Premiere: June 1984, Berlin, Brandenburgisches Kammerorchester
1983/85
Galgenlieder adapted from Christian Morgenstern for soprano,
alto-saxophone in E-flat (clarinet), bassoon (cello) and piano
(commissioned by „Deutscher Apothekertag 1985“)
Premiere: 1985, Berlin, soprano: Miharu Dietz
broadcast by Netherlands Radio Hilversum
1984/86
Aus der Fremde, cantata adapted from poems by Franz Werfel
for 4 solo singers, unaccompanied mixed choir and boys choir (ad lib.)
(winner of the 8th International Composers Competition “Carl-von Ossietzky-Preis”
Oldenburg 2007)
1986
relations for horn and percussion
(commissioned by the „Deutsches Schlagzeugsymposion Nürnberg
1986“)
Premiere: October 1986, Nürnberg, horn: Wilfried Krüger, percussion:
Roland Schmidt
broadcast by Bayerischer Rundfunk, Nürnberg (Example)
1987
réciprocité for cello and double-bass
Premiere: October 1987, Paris, Duo Tedesco
broadcast by Bayerischer Rundfunk (Example)
“...des lignes raides fuient dans la nuit“
for woodwind-quintet
(2nd prize „Budapest International Composers Competition 1989“)
(published by Editio Musica Budapest)
Premiere: March 1989, Budapest, Academy-Quintet
broadcast by Hungarian Radio Budapest (Example)
1987
Idyllen for viola and cello
(commissioned by „Gruppe Neue Musik Berlin“)
Premiere: December 1987, Würzburg, viola: Claude Lelong, cello: Wolfgang
Gröger (Example)
1988
dialogue for cello solo
Premiere: March 1988, Rio de Janeiro, cello: Peter Schuback (Example)
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1989
Concertino for alto-saxophone, piano, percussion and
strings
(International Rostrum of Composers, Paris, 1991)
Premiere: October 1989, Berlin, saxophone: Ulrich Krieger, Universal-Ensemble
recorded by RIAS Berlin and broadcast all over the world
CD: Universal-Ensemble Largo 5116, LC 8934
1990
Klavierquintett1990 Premiere: May 1991,
Berlin, piano: Sheila Vonk
Kammerkonzert for saxophone-quartet, two string quartets,
double-bass and piano
(commissioned by Hebbel-Theater Berlin)
Premiere: December 1990, Brussels, „Het Orkest“, conductor:
Vincent d‘Hondt
broadcast by Belgium Radio Brussels
1991
Oktett 522 91 - 16.1 Premiere: February 1992, Salzburg,
Scharoun-Ensemble
broadcast by SFB Berlin
vocalise für Sopran for soprano (alto-saxophone),
flute, cello and piano
(commissioned by „Berlin Improvising Composers‘ Ensemble“)
Premiere: October 1992, Berlin, BICE (Example)
1993
URBAN MUSIC for amplified saxophone-quartet
(commissioned by Berliner Saxophon Quartett)
Premiere: October 1993, Berlin, BSQ
broadcast by SFB Berlin
Vision (URBAN MUSIC II) for bass-saxophone solo
(published by Verlag Neue Musik Berlin)
Premiere: February 1994, Paris, saxophone: Johannes Ernst (Example)
1994
URBAN MUSIC III for rock band
(commissioned by Akademie der Künste)
Premiere: April 1994, Berlin (X 94
Magische Duette for two instruments/voices and obligatory
inside-piano
(Edition Nova Vita)
Premiere: March 1995, Marseilles
Ein ägyptisches Marienleben for soprano, alto,
tenor, bass and harpsichord
(commissioned by Podewil Berlin)
Premiere: 2004, Berlin, Hanna Dora Sturludottir, Sabine Neumann,
Eloi Prat I Morgades, Jens Bauditz, harps.: Martin Schneuing (Example)
Bewegungen II for orchestra
(commissioned by „Freies Kammerochester Berlin“)
Premiere: November 1995, Berlin, Freies Kammerorchester Berlin, cond.: Christoph
Hagel
1996
Klavierstücke RWV 1087
Premiere: October 1996, Berlin, piano: Elzbieta Sternlicht
SUBURBAN CHANTS for flute, clarinet, violin, viola, cello
ans piano
(commissioned by „Modern Art Sextet“)
Premiere: November 1996, Schreyahn, Modern Art Sextet
1997
Philippe’s gone, duo for prepared guitar and violin
Premiere: October 1997, Berlin, violin: Matthias Leupold, guitar: Il-Ryun
Chung
1998
Brecht-Reflexionen adapted from texts by
Hanns Eisler, Edmund Stoiber, Arnold Schönberg and Hanne Hiob
for soprano, tenor, speaker and ensemble
Premiere: August 1998, Nürnberg, Ensemble Klangkonzepte
1999
Ü = Ø for alto-flute, cor anglais and harp
Premiere: June 1999, Berlin, Hanstedt-Trio (Example)
Noces Danses for flute and piano
Premiere: September 1999, Berlin, flute: Klaus Schöpp, piano: Yoriko
Ikeya (Example)
Sieben Gedichte von Renate Halbach für sich selbst begleitende
Sängerin
(for self-accompanying female singer)
Premiere: April 2001, Berlin, soprano: Stephanie Haas (Example)
------------------>
2000
Gegenwelten for orchestra
(commissioned by gVe Erlangen)
Premiere: January 2001, Erlangen (Example)
Paris is burning for tenor-saxophone and live-electronics
Premiere: December 2001, Berlin, saxophone: Ulrich Krieger (Example)
2002
...perché solo in una notte fonda brillano le stelle
Premiere: May 2004, Rome, harp: Katharina Hanstedt
Legno - campane for marimba
Premiere: December 2003, Kryptonale Berlin, Marimba: Claudia Sgarbi (Example)
Contraerea celeste for 3 flutes
Premiere: November 2003, Aachen, Trio Soli Sono (Example)
Albicoccodrillofor 12 saxophones
UA: April 2003, Berlin, Ensemble Sax12 (Example)
2003
Lange Kerls for chamber ensemble
(commissioned by Akademie der Künste)
Premiere: February 2003, Kammerakademie Potsdam (Example)
Schlacht Rufe for female voice and live-erlectronics
(commissioned by “Globus-Klänge”)
Premiere: January 2004, Fußfall-Globus Frankfurt/Main, Claudia Herr (Example)
Solo und Signal für Horn, Klavier und Schlagzeug
UA: Juni 2005, Noam Yogev, Horn
...cette obscure clarté qui tombe des étoiles
(RWV 1088) for piano
Premiere: October 2005, piano: Elzbieta Sternlicht
Wüste Fruchtbarkeit for cor anglais, horn, percussion,
cello, double-bass and solo-violin
(commissioned by “Klangwerkstatt”)
Premiere: December 2005, Ensemble Junge Musik
Cadenza – In Memoriam F.H. for violin solo
(commissioned by GEDOK Berlin)
Premiere: December 2005, Marianne Boettcher, violin
2006
Heroische Bogenstriche for cello solo
Premiere: Jan. 2007, Medellin (Kolumbien), Peter Schuback
2008
Kleist
opera in 4 pictures
Libretto: Tanja Langer(commissioned by Brandenburger Theater)
editor: Ries & Erler
Premiere: March 2008 (stage direction: Bernd Mottl) Brandenburger Theater More
Camille Claudel – Einst war ich schön
(Text: Tanja Langer)
Scene for mezzosoprano and piano
editor: Ries & Erler
Premiere: Nov. 2008, Berlin, mezzosoprano: Claudia Herr, piano:
Martin Schneuing
Extraits
I. Capriccio for clarinet solo
II. Elegie for french horn solo
III. Toccata for bassoon solo
Premiere: December 2008, Nürnberg, KlangKonzepteEnsemble
relations (1986/2008)
for Trombone and Percussion
Premiere: March 2009, Berlin, Florian Juncker, Posaune
2008/09
in progress: Musique pour décourager les rossignols for recorder-trio
2009
La Prière sur l’Enfant mort (2009) for Violoncello and Stringquartett UA : June 2009, Streichensemble Antiope
Niki de Saint Phalle – Fürchterlich ist die Braut am Abend
(Text: Tanja Langer)
for Mezzosopran and piano
Frida Kahlo – Liebeslied an das Leben
(Text: Tanja Langer)
for Mezzosopran/Alt and piano
...perché solo in una notte fonda brillano le stelle (2002/2009)
Version for harp and piano
UA : Mai 2010, Brandenburg/Havel
h arp : Katharina Hanstedt piano : Elzbieta Sternlicht
2010
Trois Adieux
for 2 pianos and 2 drummers
UA : Mai 2010, Berlin, Ensemble BerlinPercussion